Best Instant Cameras

The Polaroid Now Generation 2 hands you a nostalgic instant camera with a few modern conveniences. It has a built-in battery, charges over USB, and ships with a picture frame and lanyard. The build reads plasticky and heavy to some. Beginners looking for an accessible way in will do well; serious photographers who want advanced controls won't.

The Fujifilm Instax Mini LiPlay is a hybrid of instant film and digital: it saves shots to internal memory or a microSD card so you choose which to print, and it doubles as a printer for photos sent from a smartphone. Reviewers liked its compact body and its many filters and frames, and it can record sound and print it as a QR code on the photo, though Tom's Guide found that feature a hassle and low-light performance subpar. Ease of use is the priority, with creative photo modes and audio built around it.

The Fujifilm Instax Square SQ40 is a compact instant camera shooting the newer Instax Square format, which yields wider square prints with a vintage Polaroid look. PCMag's Jim Fisher described the analog process, where the image surfaces gradually 90 seconds after the shutter fires. Camera Labs' Gordon found it close to the SQ1 model but dressed up more seriously. A built-in flash and viewfinder are included, and it runs Instax Square film at 10 prints per cartridge. Reviewers pointed to the two limits: Square film only, and a price above the alternatives.

Reviewers call the Lomography Lomo'Instant Automat Glass the world's first instant camera with a wide-angle glass lens, a 38mm (21mm equivalent) f/4.5 design using 6 elements in 4 groups. Operation is fully automated with manual overrides for flash, exposure compensation, and multiple exposures, and the box includes creative accessories like colored filters and a Bluetooth shutter release. Critics flagged the large, non-pocketable body and the uncommon CR2 batteries. It shoots Instax Mini film and aims squarely at creative photography, mixing automation with manual control for artistic work.

The Fujifilm Instax Mini 40 looks good and does little new, which reviewers summed up as familiar features in an attractive package. They liked the ease of use and automatic exposure control but criticized the absence of any real advancement and the cheap plastic construction. It works fine for basic instant photography, though reviewers point buyers toward competitors like Lomography and MiNT for better value or features. Aesthetics over innovation is the trade being made here.

The Polaroid OneStep 2 brings back the classic instant camera format with modern parts: a built-in lithium battery that makes film packs cheaper, and a bright built-in flash you can override. Reviewers found the light meter accurate and the camera comfortable to hold, but several were annoyed by the missing viewfinder tube and having to press an eye right up against the viewfinder. The included strap gets called poor quality. Anyone who wants a traditional instant camera experience with a few modern conveniences will like it, while those who want a better viewfinder should look elsewhere.

The Polaroid I-2 sits at the top end of instant cameras, with LiDAR autofocus, full manual controls, and support for multiple Polaroid film types. Dan Bracaglia of DPReview covered it as a mix of modern camera technology and traditional design, with solid build quality and advanced features. YouTube reviewers report a different picture after extended use: film counter malfunctions and jamming. Advanced users who want premium instant photography will get their money's worth, but anyone after something basic or cheap won't.

The Fujifilm Instax Wide 400 is a basic, low-cost camera and the only current option for anyone shooting Instax Wide film. Controls take a step back from the 300, though the selfie timer picks up more range. Reviewers call the design bulky and awkward and point out there's no autofocus assistance, but they praise the image quality coming out of the 2:3 format. Simple operation and a low price make it a fit for casual users; anyone wanting advanced features or a camera that travels light should skip it.

The Polaroid Now+ Generation 3 pairs nostalgic design with simple operation and app-based creative controls, but the autofocus is unreliable and I-Type film runs expensive and unpredictable. PCMag's Jim Fisher writes that the classic Polaroid look and one-button simplicity hold up, while the basic autofocus misses too often for the price. It charges over USB-C and takes both I-Type and 600 film, the latter bought separately. Casual users who want easy operation should look at the Fujifilm Instax Mini 99, and artsy photographers set on Polaroid film may prefer the $200 Flip model.

The Polaroid Go Generation 2 is the world's smallest instant camera at 105mm × 84mm × 62mm and 273g with film loaded. Analog.Cafe's review covers the 51mm fixed-focus lens with an f9-f42 aperture range and an electronically-controlled shutter. Double-exposure mode, a 9-second delay timer, and a built-in flash with 2m range round it out. Reviewers like the portability and the fun of using it, but note the film costs more than Instax alternatives and the bundled USB-C cable is uncomfortably short. Casual photographers who want something compact and addictive will enjoy it; anyone watching film costs won't.