The Audio-Technica AT2020 is an affordable cardioid condenser microphone priced at $99, reviewed by SoundGuys as a good starter mic for home recording. Tape Op's Garrett Haines praised its solid metal build, useful accessories, and surprisingly good performance on acoustic guitar and vocals, noting it outperformed other budget mics in blind tests. However, it requires additional equipment for use and isn't recommended for live performance. The microphone is well-suited for project studio use and podcasting, though reviewers noted it's not the best option available despite its value proposition.
Full review
Build Quality and Design
The Audio-Technica AT2020 stands out for its robust construction, a feature that distinguishes it from typical budget microphones. Professional reviewers like those at SoundGuys and Tape Op have noted that the mic features a solid metal body and grille, weighing in at 345g, which is significantly heavier than most plastic alternatives. This build quality is further emphasized by the inclusion of a metal swivel-mount that allows for 360-degree rotation, similar to premium models like the Neumann TLM 103. The mount screws directly into the microphone body, ensuring stability but also creating a potential point of loss if misplaced. The padded carrying case provides adequate protection for transport, though reviewers like Bandrew Scott from Podcastage have noted that the mic isn't designed to fit standard mic clips, requiring a 5/8-inch threaded adapter for standard stand mounting. The overall design is straightforward, with no unnecessary features or switches, which aligns with its targeted project studio market positioning.
Tape Op's Garrett Haines specifically praised the AT2020's construction, noting it doesn't skimp on accessories despite its low price point. The microphone comes with a metal swivel mount and a soft travel pouch, which he found to be more substantial than typical budget offerings. The mount's flexibility is particularly appreciated, as it's less intrusive than bulky suspended shock mounts. However, the lack of a shock mount in the box is a recurring point of criticism, with SoundRef's Paul Narang noting that this absence can lead to handling noise issues. The cardioid polar pattern is fixed and doesn't include features like filter switches or pre-attenuation pads, which some reviewers felt was appropriate for its intended use but limiting for advanced users. The microphone's cylindrical design avoids vulnerable breakage points, though it's not indestructible, as noted by SoundGuys' Sara Carbone who mentioned it can handle loud sounds without distorting but isn't built for truly rough treatment.
Real-World Performance
In practical testing, the AT2020 has demonstrated consistent performance across various recording applications. According to Tape Op's Garrett Haines, the microphone performed well on acoustic guitar, acoustic bass, and vocals, with reviewers noting it provided a slightly more developed bottom end compared to other budget mics like the AKG C1000S. In blind tests, Haines found the AT2020 superior for both acoustic guitar and vocal recording, particularly in ballad arrangements where a fuller sonic picture was desired. The microphone's cardioid pattern effectively rejected noise from the rear and sides, which is beneficial for home studios with limited acoustic treatment. SoundGuys' Sara Carbone confirmed that the mic handles loud sounds well without distortion, with a maximum SPL rating of 144dB, making it suitable for capturing drums, horns, and powerful vocalists. The frequency response of 20Hz-20kHz was noted as full and clean, with no missing or sticking frequencies, according to Bandrew Scott from Podcastage who tested it on electric guitar, acoustic guitar, and voice, all of which sounded full and clear.
However, the AT2020's performance varies with different recording scenarios. SoundRef's Paul Narang pointed out that while the mic is sensitive to plosives and has inferior noise isolation compared to higher-end models, it still delivers solid results for its price point. The microphone's sensitivity to handling noise was highlighted by multiple reviewers, with SoundGuys noting that it's a static condenser and very sensitive to physical contact during recording. The cardioid pattern, while effective at rejecting rear noise, was found to be slightly wider than average by Bandrew Scott, which could be problematic for gaming or situations where keyboard noise is a concern. The microphone's performance on tambourine, described as a 'torture test' by Tape Op, was deemed acceptable, with no significant issues reported. The AT2020's ability to handle multiple sources in a small studio environment was praised, as it can serve as a versatile workhorse for various recording tasks.
What Reviewers Loved
Reviewers consistently praised the AT2020's value proposition and overall sound quality for its price point. SoundGuys' Sara Carbone highlighted that despite not being the absolute best microphone on the market, the AT2020 offers 'pretty good' sound quality at only $99, making it an excellent entry point for beginners. Tape Op's Garrett Haines was particularly impressed, stating that the AT2020 is 'anything but another cheap mic' and that it provides 'pleasant surprises in several areas.' The microphone's ability to handle loud sounds without distorting was noted by multiple sources, with SoundGuys confirming its maximum SPL rating of 144dB. The build quality was a major selling point, with reviewers like Bandrew Scott from Podcastage emphasizing the all-metal construction and substantial weight, which he felt gave the mic a premium feel. The cardioid polar pattern was also appreciated for its noise rejection capabilities, particularly in untreated home studio environments. The microphone's frequency response of 20Hz-20kHz was consistently described as full and clean, with no missing or sticking frequencies, according to both SoundGuys and Podcastage reviewers.
The versatility of the AT2020 was another major point of praise. Tape Op's Haines noted that the mic was tested on a variety of sources including acoustic guitar, vocals, electric guitar, and toms, with consistently good results. The microphone's ability to perform well on multiple instruments without requiring significant adjustments was seen as a significant advantage for small studios. SoundGuys specifically mentioned that the AT2020 is 'built durably for the clumsy and those not yet familiar with the world of recording audio,' making it ideal for beginners. The inclusion of useful accessories such as the metal swivel mount and padded carrying case was also appreciated, with Tape Op's Haines noting that these features are often missing from budget mics. The microphone's ability to produce a 'slightly more developed bottom end' on acoustic guitar was particularly noted, with reviewers finding it superior to other budget options like the AKG C1000S in ballad arrangements.
Where It Falls Short
Despite its many strengths, the AT2020 has several notable shortcomings that reviewers have pointed out. The most significant criticism comes from SoundRef's Paul Narang, who noted that the microphone has 'inferior noise isolation and self noise,' which can be problematic in quiet recording environments. The lack of a shock mount in the box was also a recurring complaint, with multiple reviewers noting that handling noise can be an issue. Bandrew Scott from Podcastage specifically mentioned that while the microphone has a wide cardioid pattern, it's 'a bit wider than I would prefer' and could pick up unwanted keyboard noise, making it unsuitable for gaming applications. The microphone's sensitivity to plosives was another concern, with SoundRef's review noting that plosive sounds can cause issues. Additionally, the AT2020 lacks a pop filter or windscreen, which some reviewers felt was necessary for vocal recording, particularly in less-than-ideal acoustic environments. The microphone's performance with keyboard noise was highlighted by Scott, who noted that the wide polar pattern picks up a lot of clicking from keyboards, which can be problematic for podcasters or gamers.
Another significant limitation is the requirement for additional equipment to function properly. SoundGuys noted that the AT2020 requires a mic stand, XLR cable, and an audio interface or dedicated mic preamp to work, which adds to the overall cost. The microphone also requires phantom power, which must be provided by an external source, and lacks a built-in headphone jack or gain control, features that some reviewers felt were essential for a beginner-friendly microphone. The microphone's performance in live streaming scenarios was also questioned, with SoundGuys noting that while it can be used for live streaming through a digital interface, it'll pick up handling noise. Additionally, the lack of a built-in USB connection means that users must invest in a separate audio interface, which can be a barrier for those just starting out. The microphone's price point of $99, while affordable, still requires additional investment in compatible equipment to achieve optimal performance.
Who It's Best For
The AT2020 is best suited for beginners and those on a budget who are looking to enter the world of home recording. SoundGuys' Sara Carbone specifically recommended it for 'musicians of all varieties' who are dipping their toes into home audio production, noting that its compact form makes it easy to position in front of any sound source. The microphone is particularly well-suited for podcast hosts looking to upgrade from USB microphones, as noted by SoundGuys, and for musicians who want a reliable, durable microphone for recording vocals and instruments. Tape Op's Garrett Haines emphasized that the AT2020 is 'clearly targeted at the project studio market,' making it ideal for small studios that need to stretch their equipment dollars. The microphone's ability to handle multiple sources and its durability make it a good choice for users who may not yet be experienced with recording techniques. SoundRef's Paul Narang noted that the AT2020 is a great choice for 'musicians and vocalists' taking their first steps into home recording, particularly those who want a reliable microphone that won't break the bank.
However, the AT2020 is not recommended for live performance use, as SoundGuys explicitly stated that it's 'not a stage microphone' and recommended dynamic microphones like the Shure SM58 or SM57 for live applications. The microphone's sensitivity to handling noise and lack of a shock mount make it unsuitable for live streaming scenarios where physical contact with the microphone is likely. Additionally, the microphone's wide cardioid pattern makes it unsuitable for gaming applications where keyboard noise is a concern, as noted by Bandrew Scott from Podcastage. The AT2020 is also not ideal for users who require a microphone with built-in USB connectivity or who are looking for a microphone with advanced features like pop filters or gain controls. The microphone is best suited for users who are willing to invest in additional compatible equipment and who understand that the AT2020 requires phantom power to function properly.
How It Compares to Alternatives
When compared to other budget condenser microphones, the AT2020 holds its own against competitors like the AKG C1000S and MXL V63M, though it's not necessarily superior in every category. Tape Op's Garrett Haines noted that in blind tests, the AT2020 outperformed the AKG C1000S on acoustic guitar, providing a slightly more developed bottom end. However, Haines also noted that the C1000S typically tops other mics in this application, indicating that while the AT2020 is good, it's not necessarily the absolute best. The AT2020 was also compared favorably to the MXL V63M and Shure Beta 57 in vocal recording tests, with Haines stating that the AT2020 provided more depth and kept highs smooth without getting harsh. The microphone's performance was also compared to the Shure MV7+, which SoundGuys noted as an alternative, though the AT2020's lower price point makes it more accessible for beginners. The AT2020's build quality was noted as superior to many budget alternatives, with its metal construction and included accessories being particularly praised.
In comparison to other budget microphones, the AT2020's performance is consistent with its price point, though it lacks some features that might be expected from a slightly higher-end microphone. The AT2020's frequency response of 20Hz-20kHz is standard for condenser microphones, but it's worth noting that some competitors like the AT2020USB+ offer enhanced features such as USB connectivity and built-in audio interface capabilities. However, the AT2020's advantage lies in its XLR connectivity and professional-grade build quality, which makes it more suitable for users who are willing to invest in compatible equipment. The microphone's performance is also compared to the Shure SM58 and SM57, which are recommended for live performance, though the AT2020's cardioid pattern and sensitivity make it more appropriate for studio use. The AT2020's ability to handle loud sounds without distortion and its maximum SPL rating of 144dB make it a better choice than many budget alternatives for capturing dynamic sources like drums or powerful vocals.
Value at This Price
At its price point of $99, the AT2020 offers exceptional value for money, particularly for beginners or those on a tight budget. SoundGuys' Sara Carbone emphasized that while the AT2020 isn't the best microphone on the market, it's 'one of the most affordable' with 'pretty good' sound quality. The microphone's build quality, which includes a metal body and grille, is significantly more robust than many competitors in the same price range. Tape Op's Garrett Haines noted that the AT2020 is 'proof that not all inexpensive mics are the same' and that its performance should be 'applauded' for a street price of under $100. The inclusion of useful accessories like the metal swivel mount and padded carrying case adds to the value proposition, as these items are often missing from budget microphones. The microphone's ability to handle multiple recording applications, from acoustic guitar to vocals, without requiring significant adjustments, makes it a versatile investment for small studios. SoundRef's Paul Narang also noted that the AT2020's durability and clear sound make it a great value for musicians and vocalists taking their first steps into home recording.
The AT2020's value is further enhanced by its ability to serve as a workhorse in both small and larger studios, where it can be used as a primary microphone for multiple sources. The microphone's performance is particularly strong when compared to other budget condenser microphones, with reviewers like Tape Op's Haines noting that it outperforms many competitors in terms of build quality and sound quality. The microphone's maximum SPL rating of 144dB and cardioid pattern make it suitable for capturing dynamic sources, which is a feature that many budget microphones lack. While the AT2020 requires additional equipment to function properly, the cost of this equipment is often justified by the microphone's performance and durability. The microphone's ability to provide professional-quality results at a budget-friendly price point makes it an excellent investment for those who are serious about home recording but not ready to invest in more expensive equipment.
Long-Term Durability
The AT2020's long-term durability has been a subject of discussion among reviewers, with most noting its robust construction and metal components as positive attributes. SoundGuys' Sara Carbone mentioned that the microphone is 'built durably for the clumsy and those not yet familiar with the world of recording audio,' indicating that it can withstand typical handling by beginners. Tape Op's Garrett Haines also praised the microphone's construction, noting that it doesn't skimp on accessories despite its low price point, and that the metal swivel mount and padded carrying case provide good protection. The microphone's metal body and grille are designed to absorb damage that would otherwise reach internal electronics, which is a significant advantage over plastic alternatives. Bandrew Scott from Podcastage noted that while the microphone isn't indestructible, it's built to handle rough treatment better than many budget microphones, with the metal cage and grille providing protection. The included carrying case is sufficiently padded, and while dropping it in the case is unlikely to cause damage, the microphone's overall build quality suggests it can handle typical studio environments.
However, some reviewers have noted that the AT2020's durability is not absolute, and it's not designed for truly rough treatment. SoundGuys' Carbone mentioned that while the microphone can handle loud sounds without distorting, it's not built for 'truly rough treatment,' which is a reasonable expectation for a budget microphone. The microphone's warranty was also a point of discussion, with SoundGuys noting that while the warranty slip states one year, the company's website indicates two years, and they're awaiting clarification. The microphone's longevity is further supported by its design, which avoids vulnerable breakage points, though the lack of a shock mount in the box could be a concern for users who frequently move their equipment. The microphone's performance over time was not extensively tested, but the consistent positive reviews regarding its build quality suggest that it should maintain its performance for years with proper care and handling.
Strengths
- +Affordable price point of $99
- +Durable metal construction with metal swivel-mount
- +Good performance on acoustic guitar and vocals
- +Handles loud sounds without distorting
- +Includes padded carrying case and stand mount
Watch-outs
- −Requires additional equipment (audio interface, XLR cable) for use
- −Sound quality is described as 'pretty good' but not 'best on the market'
- −Not suitable for live performance use
How it compares
The Audio-Technica AT2020 offers a solid balance of affordability and performance, outperforming the RØDE PodMic in terms of build quality and versatility, though it lacks the included accessories of the Maono AU-PM500. Compared to the Shure SM7B, it's less durable and doesn't offer the same level of noise rejection, but it's more budget-friendly and doesn't require phantom power. It's best suited for users who want a reliable starter mic without the complexity of professional-grade equipment.
Who this is for
At a glance: beginners and home studio users on a budget.
Why you’d buy the Audio Technica AT2020
- Affordable price point of $99.
- Durable metal construction with metal swivel-mount.
- Good performance on acoustic guitar and vocals.
Why you’d skip it
- Requires additional equipment (audio interface, XLR cable) for use.
- Sound quality is described as 'pretty good' but not 'best on the market'.
- Not suitable for live performance use.
Rating sources
“Frankly, the Audio-Technica AT2020 isn't the best microphone on the market, but it is one of the most affordable.”
“The AT2020 is anything but "another cheap mic." The AT2020 provides pleasant surprises in several areas.”
“The build quality of this microphone is excellent. It has an all metal body and metal grill and has some nice weight to it.”
Our 4.2 score is the average of these published ratings. Ratings marked * were derived from the reviewer’s written analysis or video transcript — the publisher didn’t print an explicit numeric score, so we inferred one from their own words. Click through to verify. More about methodology.
