Verdict
Head-to-head · Best Xlr Studio Microphones

AKG Pro Audio P120 vs Audio Technica AT2020

Which is the better buy? Side-by-side on rating, price, strengths, and watch-outs — with the published ratings we averaged to get there.

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The short answer

Audio Technica AT2020 comes out ahead by a narrow margin (4.2 vs 4.0). Audio Technica AT2020 is best for: Home studio musicians recording in treated spaces. Read the strengths below before deciding.

AKG Pro Audio P120
Ranked #3 in Best Xlr Studio Microphones
AKG Pro Audio P120
1 sourceall derived$79as of Oct 11

The AKG Pro Audio P120 delivers crisp sonic detail suitable for vocals, speech, and acoustic instruments, thanks to its low-mass diaphragm. Audio Tech TV found that it withstands sound pressure levels up to 150 decibels without distortion, a capability supported by the inclusion of a switchable -20 dB pad and bass cut filter rarely seen at this price point. However, self-noise is rated at 19 dB, which is substantially higher than competitors like the Røde NT-1, and its high-pass filter rolls off low frequencies starting at approximately 300 Hz, an aggressive cutoff that may alter tonal balance for bass-heavy sources. This rugged metal microphone fits first-time studio buyers seeking versatile utility switches, but those requiring ultra-low noise or precise frequency control should look elsewhere.

Strengths
  • — Includes a switchable -20 dB pad and bass cut filter, features rarely found at this price point
  • — Constructed with a rugged metal chassis that feels substantial rather than cheap
  • — Handles sound pressure levels up to 150 decibels without distortion for loud sources
Watch-outs
  • — Self-noise is rated at 19 dB, which is far higher than quieter condensers like the Røde NT-1
  • — High-pass filter rolls off low frequencies starting at approximately 300 Hz, a more aggressive cutoff than standard options
Audio Technica AT2020
Higher ratedRanked #2 in Best Xlr Studio Microphones
Audio Technica AT2020
1 source$119as of Oct 5

The Audio-Technica AT2020 features a durable all-metal construction and includes a metal swivel-mount with adapter, as Tape Op found in its physical assessment. It delivers a flat 20Hz-20kHz frequency response that captures clear vocals without boomy lows, while Soundref noted its high 144dB SPL rating handles loud sources like drums effectively. However, the mic is sensitive to handling noise and its swivel mount lacks vibration isolation, requiring users to avoid touching the mic or purchase external damping solutions. Additionally, it requires an XLR interface with +48V phantom power and does not ship with a pop filter or windscreen, which are necessary for optimal vocal recording. This microphone suits home studio musicians and voiceover artists seeking professional sound in treated spaces, but is unsuitable for live performances or users needing plug-and-play USB convenience.

Strengths
  • — Metal construction and body provide a durable, substantial feel rather than lightweight plastic.
  • — Includes a metal swivel-mount with a 5/8 to 3/8 inch adapter and a padded travel pouch in the box.
  • — Flat frequency response from 20Hz-20kHz delivers clear vocals and controlled low-end without being boomy.
Watch-outs
  • — Requires an external audio interface with +48V phantom power, making it incompatible with direct USB connection.
  • — Lacks a shock mount: the included swivel mount gives little vibration isolation, so the mic is sensitive to handling noise.
  • — Does not ship with a pop filter or windscreen, which are necessary for optimal vocal recording.

Derived means the reviewer published no score, so one was inferred from their written verdict. Everything else is a number the publisher printed. How we rank.

How they stack up

AKG Pro Audio P120

The AKG Pro Audio P120 distinguishes itself from the Audio Technica AT2020 by including a switchable -20 dB pad and bass cut filter, features absent on that model. However, its self-noise is rated at 19 dB, which is substantially higher than the Warm Audio WA-47 Jr's range of 9 dBA to 11 dBA, making it less suitable for ultra-quiet recording environments.

Audio Technica AT2020

The Audio Technica AT2020 offers a flat frequency response from 20Hz-20kHz, whereas the AKG Pro Audio P120 rolls off low frequencies starting at approximately 300 Hz due to its aggressive high-pass filter. It also lacks the onboard controls found on the FIFINE AmpliTank K688W and does not provide the dual connectivity options that allow for easier ecosystem upgrades.

Specs side-by-side

SpecAKG Pro Audio P120Audio Technica AT2020
Microphone TypeCondensercardioid condenser microphone
Polar PatternCardioidCardioid
Frequency Response20 - 20000 Hz20Hz-20kHz
Self Noise19 dB20 dB SPL
Max SPL150 dB144dB
Connection TypeBalanced XLRXLR
Impedance<= 200 Ohms100 ohms
Element TypeCondenserFixed-charge back plate permanently polarized condenser
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